Afrodeutsch

Review: “Schwarz gemacht” and the White Audience

One attends a play about an Afro-German living in the years of Nazism and Jim Crow not because of the dramaturgy. One buys the ticket because of the topic's near absence in the German discourse. This is not a review of the play, but rather a continuation of the discussion with the cast that followed. As one of the cast-members remarked, it all comes down to audience: "Black folks probably wouldn't go to the theater to see this play in the U.S., let alone have enough money for the ticket. And here, we have a white audience. So, who are we really talking to here? Who is seeing this play?"... [Read More!]

Weekend Review: Germany’s ‘Brown Babies’ (how America’s good-guy image might get a run for its money)

Berlin can be a historical mine field. Escaping the fact that genocide, division, tyranny, even the colonial division of Africa began on this ground is an impossible feat. As American tourists wander through the many memorials to the lost, murdered, and persecuted that saturate the city with this remembrance of tragedy, I have to ask myself: Do we Americans think that we were always the “good guys” in this mess? [Read More!]

Rant: Who’s/Whose Normal?

It's these little images, phrases, and jokes that become so deeply engrained within our mindsets and pervasive within our culture that they are considered "normal". But in a city as diverse as Berlin - where 1 in every 7 inhabitants is non-German, over 138 countries are represented, and the LGBT population is one of Europe's largest - what or who the hell is "normal" anyway? And whose definition are we even using?... [Read More!]